It’s time to leave the Batcave and press the flesh

There are some really great blogs about writing, and more specifically, the art of marketing your writing. Case in point is today’s post from Eric at “Pimp My Novel.” Much like the Texas Rangers have been doing lately, he knocks it out of the park with his thoughts on networking. Writing may be art, but like John Grisham said, “never forget that writing is a business.” So, when was the last time you crawled out from behind your computer screen and did a little schmoozing?

I’ve taken the liberty to copy today’s PMN post here. It really is a great blog and if you’re not following it, you should.

Posted: 20 Oct 2010 07:00 AM PDT

In a perfect world, mes auteurs, the writing business (like all businesses, enterprises, systems, &c) would be entirely meritocratic: everyone would get a fair shake, the best writing would be selected for publication, and talent, discipline, and hard work would pay off regardless of extraneous factors like luck, emotion, nepotism, and social status.

Alas, dear friends, we do not live in a perfect world.

Because of this, you have to do something besides read great books and write great books if you want to increase your odds of getting published: you have to network. And, as the name might imply, networking is… well, work. Details? Why, sure, if you insist.

1. Networking is necessary. While some of you may have a strong negative—yea, perhaps even visceral—reaction to the prospect of spending any of your writerly energies doing anything apart from reading and writing, you need to understand that networking is a necessary part of the writer’s life.

Think of it this way: if you’re interviewing two candidates who are more or less identical on paper and equally impress you in person, are you going to go with the candidate who was initially recommended to you by your Most Trusted Bro, or the guy who walked in because he saw your ad on Exactly. And, unsurprisingly, agents think the same way. This goes back to what I was saying two weeks ago about who you know: there’s a certain amount of prerequsite what (read: good writing) you’ve got to have, and after that, it’s all who.

This is absolutely not to say that you must know someone in the industry in order to get published. All I’m saying is that the more people you know, the more doors you’ll open to opportunities that you might otherwise have missed by being an unknown quantity.

2. Chances are, you know someone. Think about the people you might have a connection to in the industry. Does your best friend have an agent? Is your fraternity brother working in the industry? Do you have friends of friends in mfa programs, literary agencies, independent book stores? Is your aunt a book conference junkie? &c &c. Make a list of the people who you could reasonably ask about the industry, representation, getting your foot in the door, and so on. I’m willing to bet you’ll come up with more than you might at first expect.

3. If it turns out you know no one, don’t despair. Okay, let’s say I’m wrong and you know absolutely no one in the industry (worse, you don’t even know of anyone who might even be related to the industry in the most tangential way). You’re not doomed if you query agents to whom you haven’t been recommended or haven’t met at conferences, so long as you follow their guidelines and send them a well-crafted query. In fact, if you get a “close, but no thanks” e-mail from one of them, you can refer to this if and when you query them with a different project down the line.

In the meantime—and if you can afford it—consider attending conferences, readings, workshops, and other literary events, and do your best to meet industry insiders (authors, agents, editors, librarians, sales(ahem)people, &c) and develop strong professional relationships with them. The publishing industry isn’t really as impossibly huge as you might think, and any given person who’s been in it for a few years will have a lot of connections that might come in handy when you’re trying to sell your book.

4. Relationships require upkeep. A quick note on the above: all relationships require work, and professional relationships (especially in this industry) are no exception. If your friend lands your dream agent, don’t let jealousy consume you: foster your relationship with that friend, ask about him or her, trade work, and hopefully down the line he or she will be able to help you get representation via recommendation to his/her agent, getting you in touch with an agent or editor who may be interested in your work, and so on.

The flip side of this issue is: don’t be creepy. Don’t reply to form rejections from agents in an attempt to be Super Best Bros. Don’t pitch your MS to agents or editors at/in inappropriate times/places (e.g. the bathroom at T.G.I. Friday’s). Don’t corner your friend of a friend’s girlfriend’s brother’s former roommate at a party because he once worked at a publishing house after college. You get the idea.

That’s all I’ve got for today, bros and she-bros. If you have any comments/questions/epiphanies/ideas/vitriol/profound insights/divine revelations, you know where to go.

See what’d I tell you? Great stuff.
BTW, I’m on vacation until Sunday, so we’ll pick up next week. Until then…

The journey of a thousand miles begins with one step,

Rest easy tonight my friends, but stay hungry tomorrow… 


Here’s what readers are saying about Mark’s latest thriller The Brink:

“I finally had a chance to sit down and read The Brink–all the way through in a day and a half. The story is gripping, even frightening, and you capture the suspense in the rhythm of your prose. In places I was reading so fast I felt like I was in the chase! I’ll put it on the shelf next to my signed copy of Lonesome Dove, in the gallery of great contemporary writers!” – Bob H., Amarillo, TX

“[Mark Fadden] is the next Dan Brown.” – Arlene D., Southlake, TX

“Truly a pager turner for me. I could not put the book down. Every time I thought I had figured something out, the next twist came up. If you like conspiracy theories, you’ll love this one.” – Sharon L, Houston, TX

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